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RUE_DU_CHAPEAU_10
rue_du_chapeau_10
LE VOCI, THE VOICES I EXHIBITIONS I OPEN PROJECTS
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Hugo Bonamin, bruit
Exhibition and book presentation
Wednesday 24.05.2023 and Thursday 25.05.2023 - 5-9 p.m.
On this occasion an image and sound installation by Roger Fähndrich, Hugo Bonamin, and Seijiro Murayama will be presented
[19 May 2023 until 26 May 2023]
Axel Claes / Saskia Gevaert, Posteriste - recto bis
Imprimé par Axel Claes - chez rosi, Bruxelles.
[3 February 2023]
Saskia Gevaert / Axel Claes, Posteriste - recto
Imprimé par Axel Claes - chez rosi, Bruxelles.
[26 January 2023]
Koenraad Dedobbeleer, Your Best Interest Is My Priority, So Stop Ignoring Me, You Can’t
This display is organized in association with Keijiban based in Kanazawa (JP) - www.keijiban.online, where the artist is intervening as well. On this special occasion, an edition was produced and will be available on December 15 in Belgium and Japan.
Edition presentation
Saturday 17.12.2022 - 5-9 p.m.
On view - Exhibition
18.12.2022 - 15.01.2023
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[25 November 2022 until 15 January 2023]
Nataša Grujović, reminisci s.k. - on the seventh day...
Live accordion & Steve Kaspar's electroacoustic sound fields.
After finishing her musical studies with prof. Hugo Noth, Nataša Grujović performed with various ensembles in West and East Europe (e.g. at the Off-Festival of the Donaueschinger Musiktage, the Łaźnia Centre for Contemporary Art, the 55th Biennale di Venezia in the Luxembourg pavilion, and the RingRing festival in Belgrade). Since 2009, she is based in Luxembourg where she further developed her approach to chamber music, specifically oriented in the experimental sound generation. In 2020, after the sudden death of her chamber music partner Steve Kaspar, with whom she intensely collaborated for many years, she started to work on her solo program and with Steve Moore as a duo.
Performance
Sunday 20.11.2022 - 7-8 p.m. (please be on time)
[10 November until 20 November 2022]
Alain géronneZ, plus que jamais #2 - Éditions, variations
Alain géronneZ nous a quittés en 2015 - bientôt 7 ans déjà - mais il accompagne ses amis plus que jamais.
Un collectif de ses amis, reconnaissants mais surtout soucieux de mieux faire connaître la place originale et essentielle qu’il n’a cessé d’occuper pour eux, s’est donné pour tâche d’archiver, montrer et diffuser son œuvre multiforme : écrits, films, photos, dessins, installations, performances. AgZ Plus Que Jamais est son nom.
Disparate, cette œuvre est cependant d’une profonde cohérence et dessine les voies d’une poétique malicieuse. Animée d’un gai savoir, elle déjoue les idées reçues, jette les ponts les plus inattendus entre des champs qu’on croyait éloignés, et, pour reprendre un mot cher à Alain, crée des constellations fécondes dans lesquelles il évoluait avec la légèreté du papillon, la ruse du renard, l’obstination de l’âne.
Cette exposition présente un ensemble de variations sur la manière dont le travail d’Alain géronneZ s’est saisi de l’édition.
Cet opus fait suite à Share Alain, les œuvres du premier cercle, Mise en doute, février 2022.
Il se déroule en compagnie d'un troisième qui se tiendra à K9, Rixensart, en octobre 2022.
À suivre : Bruxelles-Paris, La Modernité en jeu, erg galerie, novembre 2022.
Opening
Thursday 22.09.2022 - 6-9 p.m.
On view - Exhibition
22.09 - 09.10.2022
Rue du Chapeau, 10
B-1070 Brussels
Special openings and editions consultation on Saturday 24/Sunday 25 Septemberand Saturday 8/Sunday 9 October - 2-6 p.m.
By appointment only after 22.09.2022, and aside from Saturdays and Sundays
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[20 September until 9 October 2022]
Bernard Voïta, Recto Verso, postscriptum
Book presentation by Surfaces Utiles
Friday 02.09.2022 - 5-9 p.m.
On view - Exhibition
02.09.2022 - 11.09.2022
Rue du Chapeau, 10
B-1070 Brussels
Special openings on Saturday 3 September and Saturday 10 September - 2-6 p.m.
By appointment only after 02.09.2022, and aside from Saturdays
Call: +32 (0)476 89 21 66 (Bernard Voïta), +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: voitabernard@gmail.com, saskia.gevaert@gmail.com
[1 September until 11 September 2022]
Maxime Le Bon, Odds & Ends
The drawings by Maxime Le Bon grouped together for his exhibition Odds & Ends at rue_du_chapeau_10 make me think of a Japanese corporation–its inner workings, to be precise. The drawings aren’t in any way about a Japanese corporation. Rather, their apparent chaos-turned-coherent speaks to me about deeply structured things that we can’t structure from without, like a Japanese corporation; in the shoes of a Toyota worker, I'd be very familiar with the institution’s law and order, things alien to me if those shoes were off. Another point is whether I should care about someone else’s procedures.
My attempted answer is that people end up drawn to things that are dramatically odd, like Odds & Ends. Pen marks shaping an abstracted flower bunch on a yellowed paper exist near a cutout page with ink gestures in its margins, and a skeleton. A jigsawed house mingles with a comma. Carnivalesque faces on the wall, skewed and textured, tie the room together. This is what Le Bon gives us, and I am sold. Someone, the artist, gave a fair amount of thought in first making and then joining these things–must not there be a reason, a rationale, an agenda? Le Bon’s selection of drawings invites you to seek meaning; the pictures and figures are minimally given to you, stripped, like signs–things that must signify when put together. Soaking them in, I feel close to those who uprooted ancient hieroglyphs, a language nobody had read for 3000 years.
However, I suspect that the point of Odds & Ends is not to waste time interpreting. I am invited but I don’t attend, and that’s good enough. Even though there might be some sort of relevant truth in the mind of the artist, him who delivers it through a disparate selection of drawings, I want to keep the exhibition away from utilitarianism and believe it doesn’t want to teach me. It’s sufficient for me to experience that pleasing alienation of not being in Le Bon’s shoes, while guessing they exist, and they might even look smart. I am reminded of how psychologist Théodore Flournoy recalled a medium séance and his spiritual interaction with Esenale, the main interpreter of Martian language in the early 20th century (according to him):
"Esenale has gone away ... he has left me alone ... but he will return, ... he will soon return. ... He has taken me by the hand and made me enter the house. ... I do not know where Esenale is leading me, but he has said to me, 'Dode ne haudan te meche metiche Astane ke de me veche.'"1
Piero Bisello
1. Théodore Flournoy, From India to the Planet Mars: A Study of a Case of Somnambulism with Glossolalia,
trans. Daniel B. Vermilye (New York: Harper & Bros., 1900).
Opening
Wednesday 08.06.2022 - 5-9 p.m.
On view - Exhibition
08.06 - 26.06.2022
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[6 June until 26 June 2022]
miss LUNA & Caroline Sebilleau, Rouge nuage Violet argenté
[1 June until 5 June 2022]
Daniel Dariel, Benjamin Installé, Elise De Maio, Eve Satagarski, Closer
Opening and edition presentation
Thursday 28.04.2022 - 5-9 p.m.
On view - Exhibition
28.04 - 29.05.2022
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[23 April until 29 May 2022]
Diego Thielemans, The Silly Running Troubled Dots
Opening and edition presentation - My Printer's Speech
Thursday 17.02.2022 - 6-9 p.m.
On view - Exhibition
17.02 - 31.03.2022
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[16 February until 31 March 2022]
Pierre Lauwers, Mol (Paulista), 2021
Set of twelve stickers, 21 x 5.8 cm each
Edition of twelve copies signed and numbered by the artist
(Ed. 3/12)
Published by Keijiban, Kanazawa, Japan
[4 February 2022]
Denicolai & Provoost, Colour and design may differ by country
Edition presentation by MOREpublishers
Saturday 29.01.2022 - 1-7 p.m.
On view - Exhibition
29.01.2022 - 02.02.2022
Rue du Chapeau, 10
B-1070 Brussels
By appointment only after 29.01.2022
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[28 January 2022]
Daniel Dariel, Tunneling (R.S.)
[21 January 2022]
[18 January 2022]
[14 January 2022]
[12 January 2022]
[10 January 2022]
[7 January 2022]
[4 January 2022]
[1 January 2022]
[29 December 2021]
[26 December 2021]
Thiel E.Man, In a Strange Country
Opening
Friday 19.11.2021 - 6-9 p.m.
Saturday 20.11.2021 - 2-6 p.m.
(by appointment after these dates)
On view - Exhibition
19.10.2021 - 05.12.2021
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[15 November 2021]
Carole Melchior, Eleutheromania
Edition presentation
Friday 8.10.2021 - 5-9 p.m.
Saturday 9.10.2021 - 2-6 p.m.
On view - Exhibition
8.10.2021 - 24.10.2021
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: saskia.gevaert@gmail.com
[8 October until 24 October 2021]
Pour D. T., La trame
[5 September until 27 September 2021]
Nataša Grujović, Duet
[1 August until 1 September 2021]
Claudia Passeri / Saskia Gevaert, Divieto di affissione
[22 June until 31 July 2021]
[7 June until 21 June 2021]
Keijiban, nr. 32
[31 May 2021]
Keijiban, nr. 87
[27 May 2021]
Keijiban, nr. 15
[23 May 2021]
Kristien Daem, Mode d'emploi
[5 May until 19 May 2021]
Daniel Wagener, test print
[15 April until 1 May 2021]
Sylvie Eyberg
extrait : revue POSITIF, 227, février 1980, pp. 16-17. Imprimé par Axel Claes - chez rosi, Bruxelles.
[4 April 2021]
extrait : revue Cinematographer, March 1968, p. 185. Imprimé par Axel Claes - chez rosi, Bruxelles.
[26 March 2021]
Hommage au printemps et à Virginia Woolf. Sylvie et Asger.extrait : publication the she, Gevaert Éditions, cahier I, 2014, The String Quartet (1921) by Virginia Woolf. Imprimé par Axel Claes - chez rosi, Bruxelles.
[21 March 2021]
extrait : publication the she, Gevaert Éditions, cahier I, 2014, The String Quartet (1921) by Virginia Woolf. Imprimé par Axel Claes - chez rosi, Bruxelles.
[16 March 2021]
Raphaël Van Lerberghe, La nef des fous
[9 March 2021]
[6 March 2021]
[3 March 2021]
[28 February 2021]
[25 February 2021]
[22 February 2021]
[19 February 2021]
Diego Thielemans
[11 February 2021]
[9 February 2021]
[7 February 2021]
[5 February 2021]
[3 February 2021]
[1 February 2021]
[29 January 2021]
[27 January 2021]
[25 January 2021]
Pour Y. G., S. Guidon
[8 January until 22 January 2021]
Laurianne Bixhain, Nom de sommeil (2020) - silkprint
[17 December until 31 December 2020]
Jason Dodge, They lifted me into the sun again and packed my skull with cinnamon
"They lifted me into the sun again and packed my skull with cinnamon" is an exhibition as an edition of six shown in six venues simultaneously during the last week of October and the first week of November. Participating venues include MOREpublishers with Gevaert Editions (Brussels), Guimaraes (Vienna), Akwa Ibom (Athens), Gern en Regalia (NYC), Gilles Drouault galerie/multiples (Paris), and Galleria Franco Noero (Torino).
The exhibition begins with the artist not being there, in all the different ways that "not there" can mean. Absence becomes a component of the show, which the title, borrowed from a poem by Thomas James titled "Mummy of a Lady Named Jemutesonekh XXI Dynasty," further highlights. The poem charts the ultimate presence of absence, death, as a complex entanglement of the corporeal and the spiritual. The narrator describes their own mummification process, described impartially as an emptying and filling method that treats the body as an aesthetic, artistic object. While within the poem's bounds, the spirit remains mostly autonomous, Dodge's exhibition negotiates a spiritual, also authorial presence that actively involves others in its corporeal becoming. A set of specific items: 20 Bayer Aspirin advertisements, a missing animal flyer, loose Marigold petals, batteries, forks, and fabric, and a found shopping list, is sent to each space to be installed following instructions sent electronically by the artist. Within this set of instructions is the; conversational, improvisational, and accumulative, employment of different practices, other bodies, and touches, the exhibition's own poetics is animated through a series of choices akin to the translator's entanglement in a poem. In each incarnation of this exhibition Dodge has asked someone to perform the installation as a surrogate, here in Brussels the installation will be performed by Tom Engels.
The dancer and choreographer Alix Eynaudi has composed a score to follow in order to install all of the exhibitions. The score addresses the buying of the items listed in the shopping list and to unpack them in the room; things understood firstly as products to be consumed inside the body, applied outside the body, and to clean what the body uses. Unrelated to randomness, but open to interpretation, this show builds on Dodge's previous habit of inviting friends and colleagues to lend titles and texts to his exhibitions, but here inspires a freer movement in a conversation with things, an improvisation using a shared score that is not concluded by a single iteration.
On view
20.10.2020 - 15.11.2020
Rue du Chapeau, 10
B-1070 Brussels
By appointment only
Call: +32 (0)489 98 58 87 (Tim Ryckaert) / +32 (0)471 67 90 34 (Saskia Gevaert)
Mail: info@morepublishers.be / saskia.gevaert@gmail.com
[20 October 2020]
Baptiste Saint-Pé
[12
October 2020]
[10
October 2020]
[7
October 2020]
[5
October 2020]
[2
October 2020]
[29
September 2020]
Yuki
Okumura
"Combien d'éternuements surviennent en synchronistion parfaite chaque jour en différents lieux sur terre ?"
"Hoe
vaak niest men dagelijks perfect synchroon op verschillende
locaties op aarde?"
[11
until 25 September 2020]
Use Japan Owls, Le poème du bonheur
[26
August until 9 September 2020]
Denicolai
& Provoost
[7
until 23 August 2020]
Pietro Gaglianó, Le Voci
"Durante la residenza Commonwealth a Scheggia in Umbria si sono svolte alcune conversazioni con gli abitanti alla ricerca di memorie dirette o tramandate sul tempo della seconda Guerra Mondiale, del passaggio della linea gotica, dell’arrivo degli alleati. Alcune parole comuni e brevi frasi, ricorrenti in tutti gli incontri, sono state scelte e stampate e disposte in vari spazi del paese come un coro di voci sul tempo, sui luoghi e sulla memoria."
Layout by Saskia Gevaert, transposed rue_du_chapeau_10 from 14 May until 5 July 2020.
